Predicate: notate

Roleset id: notate.01 , put into a system of notation (as music or choreography), translating into a special system of marks/characters, Source: , vncls: , framnet:

notate.01: NOTATE-V NOTES: Added by Julia based on BOLT, WordNet. No VNcls. Comparison to 'translate'. (from notate.01-v) NOTATION-N NOTES: Added by Julia based on WordNet, notate-v.01. No VNcls. (from notation.01-n)

Aliases:

AliasFrameNetVerbNet
notation (n.)
notate (v.)

Roles:

        Arg0-PAG: agent, notator
        Arg1-PPT: thing put into notation
        Arg2-DIR: start state, source
        Arg3-PRD: end state, system of notation, secondary pred on arg1 or 2

Example: args 1, 2

        person: ns,  tense: ns,  aspect: ns,  voice: ns,  form: ns

        [Many of its musical ideas]-1 were notated *T*-1 from insect and bird sounds recorded at Kalsow Prairie near Fort Dodge and drastically slowed down ...

        Rel: notated
        Arg1: *T*-1
        Arg2: from insect and bird sounds recorded at Kalsow Prairie near Fort Dodge

Example: args 1, 3

        person: ns,  tense: ns,  aspect: ns,  voice: ns,  form: ns

        Are they-1 notated *T*-1 as sharp or flat ?

        Rel: notated
        Arg1: *T*-1
        Arg3: as sharp or flat

Example: args 1, 3

        person: ns,  tense: ns,  aspect: ns,  voice: ns,  form: ns

        [The following pieces]-1 were all composed by William Gillock, and notated *T*-1 into Sibelius, with some changes, by Sasan Rahmatian.

        Rel: notated
        Arg1: *T*-1
        Arg3: into Sibelius

Example: args 0, 1

        person: ns,  tense: ns,  aspect: ns,  voice: ns,  form: ns

        One aspect of Carter's notation in the Double Concerto that has excited considerable controversy is his notation of quintuplet and septuplet subdivisions of beats - often termed non-duple, "artificial" or "irrational" subdivisions.

        Arg0: his
        Rel: notation
        Arg1: of quintuplet and septuplet subdivisions of beats - often termed non-duple, "artificial" or "irrational" subdivisions

Example: args 1, 2

        person: ns,  tense: ns,  aspect: ns,  voice: ns,  form: ns

        They were used originally to distinguish polyphony and its notation from plainchant.

        Arg1: its
        Rel: notation
        Arg2: from plainchant